We created a monster.
Its parts salvaged from many
other lives from the past, dead
sure it was going to be better
for all of us. Its long arms,
however, weren’t designed
to embrace us, just to grab
our subsistence, and for some
our dignity. The feet, too,
will stomp our spirit.
The System has no heart
just electrical surges
in the stock market, the high
cost of living, and dying
to keep its moving parts
charged up. It’s amazing
how politics has been
so parasitic that connections
to the people have corroded
creating an open circuit.
Its brain is a thoughtless
construct. It doesn’t care
to discriminate. We are all
equally screwed in this new
world, this foresworn utopia.
And it doesn’t have a soul.
We, the people—
the inventors of this were sure
to leave any sense of conscience
or morality out. It’s completely
stripped of God, so it doesn’t hear
prayers. Alas. This machine is
indeed a frankenstein
and all frankensteins
kill their creators.
Epilog: Socio-economic and cultural-political unrest led to a new democracy. But this dystopian world was already here, it’s been underground for decades; now, it’s fully surfaced. There are no borders, no immigrants in the one-world order; no more class distinctions, no race or gender distinctions, we are all homogenized; and no free-thinking people, we are now part of the collective. Abortions are mandatory for the sake of longevity—stem cell research promises that. The dysfunctional elderly are discarded. Dissidents are exterminated.
John C. Mannone, the 2020 Dwarf Stars Award winner and an HWA Scholarship recipient (2017), has poems appearing in North Dakota Quarterly, Blue Fifth Review, Poetry South, Baltimore Review, Pedestal, and others. He won the Impressions of Appalachia Creative Arts Contest in poetry (2020) and the Carol Oen Memorial Fiction Prize (2020). He was awarded a Jean Ritchie Fellowship (2017) in Appalachian literature and served as the celebrity judge for the National Federation of State Poetry Societies (2018). His full-length collections are Disabled Monsters (Linnet’s Wings Press, 2015), Flux Lines: The Intersection of Science, Love, and Poetry (Linnet’s Wings Press, 2022), Sacred Flute (Iris Press, 2023), and Song of the Mountains (Middle Creek Publishing, 2023). He edits poetry for Abyss & Apex and other journals. He’s an Assistant Professor of Physics and Chemistry, who also teaches Astronomy at Alice Lloyd College, as well as an invited Professor of Creative Writing [Poetry]. He lives in southeast Kentucky.
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